Friday, January 31, 2020
Analyzing Poetry Essay Ezra PoundÃ¢â¬â¢s poetry is striking in its break from the blank verse which occupied the page during the transcendental period. Taking points from WhitmanÃ¢â¬â¢s free verse style, Pound gives the reader a subjective look at poetry. The poem A Virginal gives the reader both phantoms and tangible feelings of which the narrator is powerless to control (much as the war made countrymen feel a powerlessness in the death of their comrades). This is supported with lines such as Ã¢â¬Å"And left me cloaked as with a gauze of aetherÃ¢â¬ (Pound line 5). It is this symbolic castration that war represents which plays a significant role in PoundÃ¢â¬â¢s poem. PoundÃ¢â¬â¢s poem War Verse Pound gives a rather ambivalent opinion of World War I. The point of the poem is that he wants poets to give soldiers their time; he was speaking about poets winning awards for their poems about the war, of which they had seen no action. The beginning lines of War Verse are, Ã¢â¬Å"O two-penny poets, be still! For you have nine years out of every ten To go gunning for glory with pop guns; Be still, give the soldiers their turnsÃ¢â¬ (Pound lines 1-2). In either poem this idea of not being able to do anything about the war and the deaths that were the outcome of that war, are the impetus to PoundÃ¢â¬â¢s feelings. The form of either poem are similar, and the subject matter of course is strikingly the same. In T. S. EliotÃ¢â¬â¢s view of the past as expounded upon in his essay Tradition and the Individual Talent have to do with following tradition. Eliot criticizes poets and critics for only following a tradition that is merely one generation removed from the present and says that we ought to follow the maturity of the poet, not the expanse of his work, not the work done with less vigor as we are apt to do. In his essay Eliot says we must understand what it is when we speak of tradition; which means that we cannot ignore any of the work, that a poet must strive uphold tradition in knowing the full expanse of literature (not just the previous generationÃ¢â¬â¢s triumphs) as Eliot states, the historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of the literature of Europe from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order. (Eliot paragraph 3) For T. S. Eliot, The Love Song of J. Alfred Prufrock can be said to be the addressing of age, life, and oneÃ¢â¬â¢s personal fight with the passing of days. The many allusions throughout the poem may be attributed to various issues concerning oneÃ¢â¬â¢s growing old. In line two, for example, Eliot makes the comparison of the evening to an unconscious patient on an operating table. The consequence of this comparison is that the reader begins to see the evening as not the end of a day, but rather the end of someoneÃ¢â¬â¢s life Ã¢â¬â old age. With this allusion used in EliotÃ¢â¬â¢s poem the reader is allowed to explore their own understanding of how their life has been in comparison to the illustrations used by Eliot. Thus, the reader becomes a part of the poem; an active listener in the story/poem told by Eliot. The personification of the time of day at the beginning of the poem, then leads the reader to view the rest of the poem in a manner conducive to that comparison Ã¢â¬â with all of the metaphors dealing with life. This comparison is further pressed in line 23, with Ã¢â¬Å"And indeed there will be timeÃ¢â¬ . This solidifies the metaphor of time, and a personÃ¢â¬â¢s dealings with it. Eliot seemed to enjoy writing in the metaphysical aspects and indeed this is strongly reflected in Prufrock, while Eliot balances this writing with concrete imagery. Though Eliot insists Ã¢â¬Å"there will be timeÃ¢â¬ , he follows this line with a list of many things that one does throughout his or her life. This expansive list would fill a lifetime, and therefore refute the idea of endless time that line 23 infers. Eliot liked to write in contradictions since humanity was full of contention points and paradoxes. The hesitations and frivolous actions of life listed in this poem are not an affirmation of the ability to achieve these goals, or waste this time, but instead it is a warning that time passes, without respect to the desire or intent of a person. Eliot makes mention of this by indicating that his hair is thinning, something that he does not desire to occur, yet does Ã¢â¬â outside his control. This again is the metaphysical aspect of EliotÃ¢â¬â¢s writing which could perhaps have been inspired by DonneÃ¢â¬â¢s work, yet EliotÃ¢â¬â¢s writing style seems to be more realistic than DonneÃ¢â¬â¢s and Eliot writes with a sort of paying attention to the fringes of humanity and exploring darker concepts of the human mind; such as death and time in this poem. Works Cited The Heath Anthology of American Literature, Vol. II, ed. Lauter, et al (Vols. C, D, a
Thursday, January 23, 2020
Halloween KO Frankenstein Fade in: Amidst the crowd and noise of a swarm of children and their parents in a whirlwind, last-minute attempt to find Halloween costumes and makeup, Kenneth Branagh and Helena Bonham Carter-Branagh stand hand and handÃ¢â¬âpinned against an Ã¢â¬Å"Austin Powers suitÃ¢â¬ and the ever-popular Ã¢â¬Å"Hershey KissÃ¢â¬ garb. KennethÃ¢â¬â¢s brows are furrowed and a small wrinkle on his forehead is tense with concern as to how he is going to find anything among the crowds. The door to the store opens occasionally, inviting the crisp October air inÃ¢â¬âsending small chills up his and HelenaÃ¢â¬â¢s arms. Helena, standing impatiently in a crimson shawl, weight on one side, looks up at her husband, lips pursedÃ¢â¬âannoyance dancing in her chocolate eyes. Helena: Remind me why weÃ¢â¬â¢re here again, Kenny? Kenneth: Oh honeyÃ¢â¬âyou know the partyÃ¢â¬â¢s tomorrow and we couldnÃ¢â¬â¢t show up without costumes. Two noisy youngsters, each with unruly black hair, sucking lollypops run past Kenneth and into HelenaÃ¢â¬âigniting a surge of pain down her side. The children mutter an untranslatable Ã¢â¬Å"sorryÃ¢â¬ before continuing off to look at the sets of fake blood to HelenaÃ¢â¬â¢s direct left. Helena: (rubbing her thigh) I knowÃ¢â¬âbut why are we here? I mean we have personal assistants to take care of these kinds of things. Kenneth: Dear, I thought it would be fun. After all, we havenÃ¢â¬â¢t had a night out together since I started touring with the Shakespearean Company again. Voices from the crowd yell Ã¢â¬Å"Heads Up!Ã¢â¬ just as a shelf full of MonsterÃ¢â¬â¢s Teeth and Spirit Gum tumbles on Helena from above. A small, freckled girl with straw colored pig-tails points at Helena with a pudgy finger. Girl: (sardonically) We said...HEADS UP! Ignoring the pain in her leg, Helena rubs her forehead while pulling a pair of green Monster Teeth out of her tousled curls. Helena: (mumbles to Kenneth) Fun. . .right. . . Kenneth: (tugging on their laced hands) Come dear, lets go ask the lady at the counter so we can leave and go get some sleep. I donÃ¢â¬â¢t want to have bags under my eyes tomorrow in front of our Hollywood friends. Weaving through the crowds of people, Kenneth spots a store clerk wearing a Ã¢â¬Å"Hello my name is: SarahÃ¢â¬ nametag standing behind a short female customer. Kenneth: Excuse me?. . .uh, excuse me! Sarah looks up at Kenneth, squinting viciously in his direction.
Wednesday, January 15, 2020
Analyzing Two Adventurers, Gary and Karana Gary Paulsen, the narrator and author of Ã¢â¬Å"Older RunÃ¢â¬ and Karana, in an excerpt from Island of the Blue Dolphins by Scott OÃ¢â¬â¢Dell, are both some type of adventurer. Their adventures and reactions are similar in various ways and are diverse in others. Gary Paulsen experiences a real-life survival adventure with his sled dogs. He is a dogsledder with a team of ten dogs. The dogs have been through vigorous preparation so he is sure that they will have had enough strength and training to satisfy him throughout the run.The run starts out well; Gary was carrying enough extra food and decides to do an open run. He decides this because he wants to steer clear of the forests, the younger dogs might forget what theyÃ¢â¬â¢re doing and run into trees. As they reach a trestle, Gary discovers that some nutcase had stolen the plywood from the trestle. As a result of the plywood being taken, Gary performs a suicidal maneuver that causes h im to fly twenty feet, and then land into the snow. After he realizes his luck, he works to prepare his dogs to recuperate so he can finish his journey. Gary tries in vain to get back his dogs but each time he is met with failure.But, his dogs come back for him as he merrily drives them to their destination. Karana also experiences real-life adventure which is like PaulsenÃ¢â¬â¢s in some ways. Both Paulsen and Karana are vengeful torward someone or an animal. Paulsen is vengeful toward the maniac that tore out the plywood from the trestle because the missing plywood caused him a sufficient amount of difficulty. Karana is vengeful toward the dag that killed her brother because now she was alone on the island except for other animals, including a pack of vicious, menacing dogs. Like Paulsen, Karana also feels determined.She feels determined when she built the fire to drive the dogs out of the cave because it will give her a chance to kill some of the pack. Paulsen feels determined b ecause he needs to get the dogs back on track after he scattered them accident because he was thrown off the trestle. Paulsen is confident that he was ready to leave for the run because the dogs had been taught and trained. Likewise, Karana was confident that of her use of bow, arrow, and spear to kill the lead dog in revenge for killing her younger brother. Paulsen and Karana are also different in some ways.Paulsen is optimistic about his dogs traveling with him when they first start off because he enjoys riding behind dogs in sled. But, Karana is uncomfortable about the lead dog (Rontu) sleeping inside her house so she sleeps outside on a rock because being eaten by a hefty black dog does not appeal to her. While Gary Paulsen is fearful that his education has fallen behind the dogs and he might never catch up, Karana feels affectionate toward Rontu when she treats his arrow wound. Finally, Paulsen was surprised that all of his dogs came back for him after he caused them so much tr ouble and struggle.On the other hand, the first three days Rontu is staying in KaranaÃ¢â¬â¢s home to recover, Karana is longing for the dog, Rontu, to leave her house so she can have some peace and privacy. In conclusion, Gary Paulsen Experiences real-life survival adventure with his team of sled dogs while Karana also experiences a real-life survival adventure which is like PaulsenÃ¢â¬â¢s in some ways and different in others. Karana and PaulsenÃ¢â¬â¢s reactions show that they are determined to reach their goal and that they can have a sudden change of heart.
Tuesday, January 7, 2020
Spending on the construction of new sports facilities grew at a staggering rate post 2007. A total of 13.4 billion is being spent on around 81 arenas and other major as well as minor sport facilities in and around the U.S. at least through 2010. The association of exceedingly high cost has put the subject of public financing of new stadiums and playing arenas under exceptional examination. The development of another stadium or playing arena is a costly job which these days can often surpass a few hundred million dollars. In the pre-1990 s period the vast majority of the sports facilities were for the most part supported through public financing, however with the progression of time as the financing prerequisites for developing new sports facilities grew, so did the financing techniques. Public financing for major sports arenas is mainly done by heavily subsidizing the construction process of these stadiums. The main argument of local governments favoring the use of tax payers money for construction of sports facilities is that these facilities will better the entire area and city as a whole. The main sources of public financing for building new sports facilities include; sales taxes, general obligation bonds, beneficiary taxes, tax increment bonds, revenue bonds and proximity taxes. Given the complicated and often conflicting arguments regarding stadium financing, the only advisable course of action for policymakers is to make the debate more open and honest. IfShow MoreRelatedThe Effects of Sports Teams and Stadiums on Cities Essay1501 Words Ã |Ã 7 PagesThe Effects of Sports Teams and Stadiums on Cities What if a tax increase came to a city because of a sports team, would it be alright? Of course not, right? Well, consider being told as a tax payer and being told it will help the economy of city to build a stadium. 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(http://www.sportengland.org/2012_uk.htm) Boost to tourism The tourist industry wont just boom duringRead MorePositive Effects of the Olympic Games2021 Words Ã |Ã 9 PagesBusiness opportunities for companies Businesses in New South Wales won A$1bn worth of contracts from the Sydney games and an additional A$300mn was generated by local business. Over 55,000 people received employment related training. If London hosted the Olympic games, thousands of UK firms could be involved in supplying everything from construction to manufacturing, catering to merchandise. (http://www.sportengland.org/2012_uk.htm) Boost to tourism The tourist industry wont just boom during the